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Louder Than This Room - EP

by Clare Elich

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1.
I'm not proud of today, I'm not proud of myself today I'm not proud of myself today I'm not proud of today, I'm not proud of the things I said today Or the way I looked at you with entitlement, as if I was owed something I'm never owed something I'm not proud of today, I'm not proud of the way my heart was today Full of thoughts turned into words I can say I hate Words I'd want to take back if time could be molded in my hands So now I think of the past of today, and how my thoughts are the sisters of the ones before And I wonder how they could all come from me the wounding, the healing, the contemplating They're all me What a beautiful, scary thing to behold
2.
Tully 03:52
Driving through September, one mile from Tully The New York green’s unruly, waiting for the rain Fall is coming in your part of the country And I’m driving down this eastern road without you again It’s been eight years now since I took my leave from you In the fall when the leaves turned to rust Many a time I’ve thought of leaving what little was my own Give into Colorado summer when it called me home So when December comes I’ll always remember you in July sun A bead of sweat runs down your cheek You’re staring at a half-open door as we’re sitting here in silence Cause I’m saying I’ll see you in a week when we both know it’ll be twenty four more It’s getting closer now, the day that I come home I’ll be there when the wildflowers bloom And for a time I’ll be with you with nowhere else to go ‘Til the next thing comes along and starts calling me home So when December comes I’ll always remember you in July sun A bead of sweat runs down your cheek You’re staring at a half-open door as we’re sitting here in silence 'Cause I’m saying I’ll see you in a week when we both know it’ll be twenty four more Now I’m driving through September 40 miles from Denver Prairie dust clouds in my rear view Fall is coming in this part of the country And I’m driving down this western road ‘til I get home to you So when December comes I’ll always remember you in July sun A bead of sweat runs down your cheek You’re staring at a half-open door as we’re sitting here in silence 'Cause I’m saying I’ll see you in a week when we both know it’ll be twenty four more ‘Cause I’m saying I’ll see you in a week When we both know it’ll be twenty four more
3.
Change 03:44
What the hell has come into me? I’ve started saying things that don’t make sense to me, and leaving my words behind. I say it all with my eyes on the ground, ears open, for the sound of your laughter and what appeals to you But if I could say anything else, I would let that be my home. But the day goes on while I talk on and say, I will be her someday. Funny how it goes this way. Is there any time to remain honest, these days, When you’ve backed an idea and now it has its back to you? And when will time see me through? Most days I’m running on the things you told me but never asked to know. Like if I could love anything else, I should let that be my home. But the day goes on while I talk on and say I will be her someday. Funny how it goes this way, funny how it goes this way. Your words are dusty, cold on the shelf, You pull them down just to bolster yourself. You’re not ready for that kind of honesty, Being kind is your only equity. But if I could say anything else, I would let that be my home. Something kinder, something truer, and in better taste. I will be there someday. Funny how it goes this way, funny how it goes this way.
4.
Twas on one bright March morning I bid New Orleans adieu. I took the road to Jackson town, my fortune to renew. I'd cursed all foreign money, no credit could I gain. And it filled my heart with longing for the Lakes of Pontchartrain. I stepped on board a railroad car in the early morning sun. I rode the rails ‘til evening and I laid me down again. All strangers here, no friend to me, ‘til a dark girl toward me came. I fell in love with a Creole girl from the lakes of Pontchartrain. I said my lovely Creole girl, my money here, it's no good, If it weren't for the alligators, I’d sleep out in the wood. You're welcome here, kind stranger, our house is very plain, But we never turned a stranger out on the Lakes of Pontchartrain. She took me to her mammy's house and she treated me quite well. The hair upon her shoulders in jet black ringlets fell. To try and paint her beauty would surely be in vain. So charming was my Creole girl from the lakes of Pontchartrain. I asked her if she would marry me, she said that could never be. She had got a lover and he was far at sea. She promised that she would wait for him and faithful she’d remain, 'Til he returned to his Creole girl from the lakes of Pontchartrain Fare thee well, my bonny girl, I’ll never see you more, But I'll ne’er forget your kindness in the cottage by the shore. And at every social gathering, a flowing glass I'll raise, And I'll drink to the health of my Creole girl from the Lakes of Pontchartrain. I’ll raise a glass to my creole girl from the Lakes of Pontchartrain.
5.
summer was quiet so I left town walked along the trails on the side of the mountain brushed my hands in the wild grass felt the wind blowing at the top of the pass got used to feeling the passing of time and the turning of clocks on white and yellow lines until I found the place where the water ran clear and moved at the pace of a million years these are the sounds of home wind through the wild aspen groves this is where I go after traveling those long winding roads i’ve been dreaming of this kind of night the two of us beneath the wide horizon of lights where the air is cool and it smells of sage and the fields open wide like the final page these are the sights of home wind through the wild aspen groves this is where I go after traveling those long winding roads these are the sights of home a promenade of stars above the ranges this is how I know to practice standing still among the changes

credits

released February 3, 2023

Summers Baker: guitar, harmony vocals
Joe D’Esposito: fiddle, cello, harmony vocals
Wilson Luallen: upright bass
Jack Dunlevie: mandolin, harmony vocals
Monique Bartkowiak: harmony vocals
Eric Wiggs: bass


Engineered and mixed by Eric Wiggs at Vermillion Road Studios in Longmont, CO and Chris Cunningham at Basecamp Studio in Bozeman, MT.

Mastered by Anna Frick at Ally Sound Mastering in Longmont, CO and Airshow Mastering in Boulder, CO.

Artwork by Gina Leslie.

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Clare Elich Denver, Colorado

Clare is a singer, songwriter and clawhammer banjo player. She lives in Denver, CO.

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